As part of a season called THE WEASEL, which runs until 29 July at the South London Gallery, there's a free programme of films, which are:
MAXI GEIL!: NAUSEA II, 2005
60 mins, shown daily at 1.30pm
Maxi Geil!’s ‘porn-rock opera’ Nausea II is a humorous musical based around the sex industry, and the amusing similarities between the glamour and shock of both the art world and porn industry. The film combines disenchantment with contemporary desires with a wistful return to old-fashioned song and dance routines.
IAIN FORSYTH & JANE POLLARD:
MAKE ME YOURS AGAIN, 2007
30mins, shown daily at 3.30pm
Make Me Yours Again is an unscripted portrait of young people talking about love and loss, using homemade ‘mix tapes’ as a trigger. Made during a residency in New Zealand, this work continues Forsyth & Pollard’s Precious Little series.
WILHELM SASNAL: THE RIVER, 2006
20 mins, shown daily at 5pm
The River, inspired by Pare Lorentz’s script for a film of the same name, began with the commission of several New York bands to create music to accompany Lorentz’s poetry. The resulting documentary shows gritty footage of the studio sessions.
South London Gallery
MAXI GEIL!: NAUSEA II, 2005
60 mins, shown daily at 1.30pm
Maxi Geil!’s ‘porn-rock opera’ Nausea II is a humorous musical based around the sex industry, and the amusing similarities between the glamour and shock of both the art world and porn industry. The film combines disenchantment with contemporary desires with a wistful return to old-fashioned song and dance routines.
IAIN FORSYTH & JANE POLLARD:
MAKE ME YOURS AGAIN, 2007
30mins, shown daily at 3.30pm
Make Me Yours Again is an unscripted portrait of young people talking about love and loss, using homemade ‘mix tapes’ as a trigger. Made during a residency in New Zealand, this work continues Forsyth & Pollard’s Precious Little series.
WILHELM SASNAL: THE RIVER, 2006
20 mins, shown daily at 5pm
The River, inspired by Pare Lorentz’s script for a film of the same name, began with the commission of several New York bands to create music to accompany Lorentz’s poetry. The resulting documentary shows gritty footage of the studio sessions.
South London Gallery
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