After stints in Cuba, the United States and Europe, in 1980 Rocha returned to Brazil to make the film, which was his last. This monumental culmination of his career is an urgent ‘anti-symphony’ intended to reinvent Brazilian cinema. Originally, the 16 reels of the film were to be presented in a random order. The frenzied feast of allegories and symbols defied rational reality and sought to ‘resist the classification of colonial anthropology’.
The Age of Earth will be screened at the Tate Modern in London tomorrow, 21/7, at 7pm.